This is a training program for classical guitarists aimed at the development of improvisation and the creative side of the instrument, given as regular classes or individual and collective workshops in a convenient periodicity . A program designed as
a complement to ordinary classical guitar studies.

WARNING: This material is published for those musicians following the provided training. Some
may not be used or understood outside this training.
 “A great work of creation and sequencing of materials for guitar.”
Emilio Molina (1)

 "An incredible page. Great material to teach and motivate students."
Evaristo Perdiguero (2)

 Are you a guitar teacher? 
LEVEL I
Exercises and pieces to place fingers on the
instrument, recognize notes, reading, fingering,
basic tecnique.

BEAUTIFUL THING (3 etudes)

ONE OF TWO (duo)

AUTUMN EVENING (duo)

MISTIC SONATINE (trio)
Flute part
Clarinet part
Guitar part
General score


LEVEL II
Exercises and pieces to stimulate an intuitive
approach to the instrument and encourage the
free manipulation of technical and musical
elements.

ALL MOMENTS (solo)

 HYPNOTIC ETUDES (5 etudes)
Hypnotic etude nº 1
Hypnotic etude nº 2
Hypnotic etude nº 3
Hypnotic etude nº 4
Hypnotic etude nº 5

 A PUNTA D'ALBA ME'N VAIG (duo)

CROSSING THE AIR (duo)

UNTITLED (duo)

COME CLOSE TO ME (trio)

TRACKS (trio)

CHORDS I

CHORDS II

CHORDS III

CHORDS IV

 REVERENCE (5 etudes)
Reverence - 1
Reverence - 2
Reverence - 3
Reverence - 4
Reverence - 5

PERFECT TIME (duo)
LEVEL III
Exercises and pieces to develop improvisation
in closed contexts: scales, chords, tonalities.

SCALES I

SCALES II

SCALES III

SCALES IV

SCALES V

PREVIOUS EXERCISES  (32 exercises)
Exercise  1                                                                                                                                                                                                  SIMPLE (2015)
Exercise  2
Exercise  3
Exercise  4
Exercise  5
Exercise  6
Exercise  7
Exercise  8
Exercise  9
Exercise 10
Exercise 11
Exercise 12
Exercise 13
Exercise 14
Exercise 15
Exercise 16
Exercise 17
Exercise 18
Exercise 19
Exercise 20
Exercise 21
Exercise 22
Exercise 23
Exercise 24
Exercise 25
Exercise 26
Exercise 27
Exercise 28
Exercise 29
Exercise 30
Exercise 31
Exercise 32

 SIMPLE (suite)
simple -  1  AWAKE
simple -  2  ETERNAL WAY BACK
simple -  3  NUDITY
simple -  4  TRANSFORMING SOURCE
simple -  5  INTROSPECTION
simple -  6  NATURAL TUNING
simple -  7  AWARENESS
simple -  8  TRUSTFUL OBSERVANCE
simple -  9  AVAILABLE
simple - 10 BIRD FLIGHT

FANG I MANS (duo)

FELINES (duo)

SPACE, SILENCE AND WIND (duo)

GAZE BEYOND (trio)

ROLL, ROLL (trio)

SMALL TRUTH (trio)

RADIANT FLOW (trio)

 CELEBRATION (trio)

SEEKING, FINDING, SEEKING (trio)
LEVEL IV
Exercises and pieces to develop improvisation
in open contexts: atonality, arrhithmia, free
improvisation.

MELODIC EXERCISE 1

MELODIC EXERCISE 2
                                                                                                                                                 FREE IMPROVISATION IN 7 MINUTES (2013)
XII MANTRAS (suite)
Mantra  1
Mantra  2
Mantra  3
Mantra  4
Mantra  5
Mantra  6
Mantra  7
Mantra  8
Mantra  9
Mantra 10
Mantra 11
Mantra 12

MELODIES 1

 MELODIES 2

 DISCHORDS 1

 DISCHORDS 2

 DISCHORDS 3

CHAINS

WORD CIRCLE (suite)
Word circle -  1  INTROSPECTION
Word circle -  2  EARTH
Word circle -  3  TIME
Word circle -  4  SILENCE
Word circle -  5  VISIT
Word circle -  6  PRAYER
Word circle -  7  DANCE
Word circle -  8  GAME
Word circle -  9  MIRAGE
Word circle - 10 CRADLE



(1) Emilio Molina is the director of the Institute of Musical Education in Madrid. He is known for his method "Improvisation as a pedagogical system".

(2) Evaristo Perdiguero is a classical guitar teacher.


Are you interested in improvisation?

Beyond learning to play the guitar
do you want to be a creative musician?

Besides playing what others prepared for you
would you like to develop your own language?

Don't you feel satisfied with what you have been taught so far?
Do you enjoy playing guitar but think that you won't ever be an interesting player?
Have you been thinking of giving up?

SEARCH - RESEARCH - EXPERIMENT - CREATE

Dare to explore
your  individual qualities !!!

This program can be taught as a complement to traditional classical guitar training, but can also be considered as an alternative for those who wish to evolve your guitar language beyond the conventional training proposed in standardized curricula. In that case, the training includes fundamental elements of modern guitar, essential knowledge of theory and harmony, as well as basic piano notions (specifically designed for non-pianists) that make them much more accessible. These will be essential tools if you do not want to limit yourself to reproducing what is already written in the scores.

The true interpretation of music can include processes of deconstruction, reconstruction, creation and improvisation. In order to develop these capacities, the repertoire of pieces and exercises is ordered not only on the basis of technical difficulties but, above all, in terms of the rhythmic and harmonic elements that appear in them and the type of work they suggest.



RIGHT NOW
I CAN NOT ACCEPT NEW REGULAR DISCIPLES

You can contact me if you are interested in arranging an occasional individual class or participating
in an intensive seminar among other guitarists.

josepmanelvega@gmail.com
+34 676783100
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